
“Thou Hast Made Me Endless” (Poem No. 1 in Gitanjali), Summary and Critical Appreciation
“Poem No. 1—Thou Hast Made Me Endless” serves as the opening work of Rabindranath Tagore’s celebrated collection Gitanjali (Song Offerings).

“Poem No. 1—Thou Hast Made Me Endless” serves as the opening work of Rabindranath Tagore’s celebrated collection Gitanjali (Song Offerings).

“When Thou Commandest Me,” the second song/poem in Rabindranath Tagore’s Gitanjali, expresses the poet’s deep spiritual devotion and his readiness to serve the divine.

Kamala Das as a confessional poet stands as one of the most powerful and unmistakably confessional voices in modern Indian English poetry.

Sense of alienation and Isolation in the Poetry of Kamala Das is pervasive.

Kamala Das Is regarded the poet of feminine sensibility. She is often celebrated as the voice of feminine sensibility, a poet who boldly challenges the rigid conventions and traditions imposed by society.

We find themes of love and sex in the poetry of Kamala Das. Her poetry explores the intricate, often painful dynamics of love, sex, and identity, challenging the patriarchal norms that confined women to silence and submission.

Rebellious attitude of Kamala Das against the restrictive norms of a patriarchal society is found in her poetry. She stands out for her bold defiance of social, cultural, and patriarchal conventions.

Girish Karnad’s play Tughlaq is a political allegory, using the historical figure of Sultan Muhammad bin Tughlaq to comment on the political landscape of 1960s India.

There are contrasts and opposites in the Play Tughlaq by Girish Karnad. Girish Karnad’s Tughlaq presents a striking tension between the ideal and the real, capturing the clash between the Sultan’s lofty vision and the grim political circumstances of his reign.

In her autobiographical poem “An Introduction,” Kamala Das reflects on her defiance of patriarchal and societal constraints in postcolonial India as she strives to establish her own identity as both a woman and a writer.