The theme that Sarojini Naidu most distinctly made her own—where her voice is least imitative—is the folk theme.

Theme of Love in the Poetry of Sarojini Naidu occupies a central and significant place. She is often hailed as the “Nightingale of India.” Her treatment of love is remarkable for its depth of emotion, lyrical beauty, and spiritual refinement.

There is theme of life and death in the poetry of Sarojini Naidu. Her poetry, though often admired for its musical quality and celebration of Indian culture, also reflects a profound engagement with the eternal themes of life and death.

“The Boatride” by Arun Kolatkar is a vivid and evocative poem that captures the poet’s acute powers of observation and his fascination with the everyday transformed through imagination.

“The Bus” is the opening poem of Jejuri (1976), the celebrated poetry collection by Arun Kolatkar, one of India’s most distinctive bilingual poets who wrote in both Marathi and English.

Arun Kolatkar’s “The Hag” is a haunting and vividly imagistic poem that reflects his characteristic blend of irony, realism, and surrealism.

“The Priest’s Son” is a short, vivid, and ironic poem by Arun Kolatkar, one of India’s most distinctive modern poets known for his sharp observations, minimalist style, and blending of the sacred with the ordinary.

We find imagery in the poetry of Daruwalla. Imagery is another field in which Daruwalla has made a contribution to Indo-Anglian poetry.

Daruwalla is a great master of the weapon of irony. We find satire and irony in  poems of Daruwalla.

Keki N. Daruwalla’s “The Unrest of Desire” is a reflective and sensuous poem that explores the turbulent nature of human longing and the conflict between passion and restraint.